When Dr. Keith Parks went to the Foreign Mission Board in 1975, his responsibility was to head up the mission support division. Establishing one of the finest communications departments possible was one of the goals that Dr. Parks had set for himself and the Foreign Mission Board. Taking a look around the denomination he discovered that the finest photojournalism work being done was done by Don Rutledge. However, now Don was working for the Home Mission Board.
During this time while Dr. Parks was trying to give direction to the communications department, Everette Hullum and Don Rutledge were asked to give a workshop at the Foreign Mission board. During the workshop Don and Everette talked about working as a team and how they did coverages. Don remembers that Dr. Parks sat in on the workshop.
Later around 1979, Dr. Keith Parks heard through the grape vine that Don Rutledge may be interested in leaving the Home Mission Board. It was then, that Dr. Keith Parks approached Don to come to the Foreign Mission Board. He also tried to get Everette Hullum but was unable to do so.
"I feel that he [Don Rutledge] brought a new standard and new level of photojournalism here [Foreign Mission Board] to The Commission as well as other products," said Dr. Parks. "The significant detail about Don is not only his sensitivity but that he gives so unselfishly. Many others have come on our staff fairly new and fairly young and Don has given a lot of time training them, giving them tips and working with them. He has shared his own expertise very unselfishly." This writer is one of the ones that Don took under his wing and trained at the Foreign Mission Board. Joanna Pinneo was another of those whom Don helped. She successfully took the suggestions of Don and moved on to work with Black Star and later with National Geographic.
|Figure 32 In Guatamalla, missionary Jane Parker works with the Kechi Indians.|
When Don worked with a person it was usually because they initiated the contact rather than Don. This occured as a person went to Don asking for advice and continued to return over and over and put into practice Don's suggestions. Those that did understand and were able to incorporate the suggestions of Don into their own direction in photography did very well.
Figure 33 Don often talks of the eyes being the
"windows to the soul."
"We needed a flagship piece at the Board," said Dr. Parks. They made The Commission magazine that flagship. To communicate the message through this piece they determined that they needed on the spot coverage. In the past they had done this, but had got away from on the spot coverage. They were relying on the missionaries to send in information that they could from the fields. They designed the idea of getting information at the location. The philosophy of team coverage was the direction taken by the board. They hooked a writer and a photographer together to work on projects. They went to the countries to gather the together material to be used in publications. Some of the material was used for mission studies, for news releases and feature articles.
|Figure 14 March 1985, was when Don went to Ethiopia to cover the hunger problem. Here volunteer nurse Sally Jones holds an Ethipian child and comforts the child in the midst of other babies who are being held by their mothers.|
The team philosophy was not new in Southern Baptist life. It was basically copied from the Home Mission Board with Don acting as a consultant. Don also brought ideas from his days with Black Star to the Home Mission Board. The old saying of two heads are better than one really applies to effective communication. Besides a writer and photographer working together the team was actually bigger. A designer, editor, department head, librarian and others were included in the planning process all the way to the distribution of the product. The team concept made everyone on the team become specialists. This specialization cause each person to make his contribution the best possible. The photographer concentrated on the images and the writer could concentrate on the words. The designer worked at combining the two elements to work together to communicate the most effective package possible.
The shows an elderly man who came |
to the feeding shelter sponsored by Baptist. Many
are not only hungry but very sick.
Before these coverages could take place, issues like budget needs had to be raised and planned into the schedule. Often planning a year or so in advance was done to work out necessary details. Often these plans would change at the last moment. Even with detailed planning the team discovered that when they arrived on the field, the missionaries did not understand what the team was doing. Due to the miles and cultural patterns involved in trying to communicate with the whole world, many problems had to be faced.
An Ethopian child is rescued from |
starvation by volunteers. Mary Saunders, one
of the volunteers, comforts the mother of the child.
All this planning later helped them to respond positively in crisis situations. They covered the Earthquake in Mexico City, and the mud slide in Columbia. Both of these coverages were released through Associated Press and helped the world see how Southern Baptists were responding to the crisis of the world. This provided good public relations. It helped Southern Baptists who never see The Commission magazine or a Baptist state paper see for the first time in their local paper the positive work being done through Southern Baptist missions.
|Figure 37 Joy is all that can be seen in the eyes of the young. Rescued from starvation and given hope once again.|
Don's ability to capture people on film in such a natural way provides a positive contrast with photographers who wet up posed situations. Don's photography "has helped in the total scope of communications" for the Foreign Mission Board.
|Figure 38 HOPE——In the face of starvation food is provided to many of these people at the shelter, while others take the food and return home.|
Don is a very sensitive person. He is sensitive to other people. He has a way of gaining their confidence and very subtly working himself into a situation. He has tremendous spiritual depth. Therefore his pictures reflect his sensitivity to people as well as his spiritual commitment. I have never seen him take a picture or seen a picture he has made that in any way it would embarrass people who saw it. He always did it in such a way that the people who saw it would be as proud of it as he was. He has such a sensitive touch, and such a high standard and the feeling of wanting the people who were the objects of the picture to be as proud of the picture as he was as the taker of the picture. Of course, he has such tremendous background in all of his travel and his awareness of Southern Baptist life and other Christian groups, he just brings a quality and a character to the work that many people don't. It's not just a technical profession to him, it's a spiritual calling. You really sense that in what he does and how he does it."
|Figure 39 With food in hand, the people leave the shelter and grounds to return to their families.|
|Figure 40 Surgeon Tim Pennell was able to get five of his colleagues from Bowman Gray School of Medicine to commit weeks of vacation time and thousands of dollars to meet their Chinese counterparts.|
Although Don took hundreds of pictures, I hardly noticed because he did it in such an unobtrusive way. When he put it all together he had really caught the highlights of the meeting and the impact that he wanted. I just think that he is a first rate fellow from every measurement professional. Of course, he can and does meet the highest standards of the secular world, and yet his deep spiritual commitment has caused him to give himself to the spiritual cause he believes rather than selling his skills to the highest bidder. I just think that quality and character come through in his pictures.
Dan Beatty, the design editor of The Commission magazine commented,
Don is the one person who has completely influenced the direction of the magazine. Before Don came we knew that there was a certain way we wanted to present the missions material in the magazine. None of us had a firm grasp on what direction we should go to achieve our goals. Don really provided the direction for us to go. Don never expressed any strong feelings about——in a critique type way——on the magazine. Just Don's presence and constant example of someone who always strives for the best is what guided us along. He was constantly putting us into contact with different individuals in the field of photojournalism and layout and design. He felt these would be good influences on the magazine or influences that would help us along the road where we wanted to be with the publication.
Dan was heavily influenced by Don and those around Don. Through Don, Dan was introduced to the people of National Geographic, The Virginia-Pilot and The Ledger-Star, those at Black Star and others. The awards for best use of pictures by a magazine, given out by the National Press Photographers at the annual Pictures-of-the-Year contest, were basically awarded the efforts of Dan Beatty. As a result of Dan receiving this award, most persons in photojournalism considered Dan to be at the top of the field. Dan says,
I would not be doing what I am doing, at the level I am doing it if it hadn't been for Don. He is an example of consistency and integrity in a field where that is not always a constant with the different people that I've met. He represented something that I wanted to achieve myself. He has been the biggest influence that I can think of on me personally and the different photographers that I have worked with along with Don. The thing that impressed me most with Don is his sensitivity and his regard for human beings. I think that is what made him the asset that Dr. Parks was looking for in communicating about Foreign Missions to Southern Baptist and other people as well. The dignity of the human being no matter what the situation is so very important to Don. To me that is the real strength of Don's work.
|Figure 41 In the Philippines families cluster together for meal.|
|Figure 42 Dr. Jerry Bedsole, a career veterinarian missionary, doctors the animals of the people in his open-air clinic.|
The magazine was dull and boring. The technological advances had passed the board years ago in layout
The Foreign Mission Board had a larger lab, more photographers and even
a larger photo library, but still their work was much poorer than what the Home
Mission Board was producing. Some might
say that Don had lost his marbles. Why
leave the Home Mission Board and go to a place like the Foreign Mission
Board. Sounds so familiar to the same
reasons that he went from Black Star to the Home Mission Board.
The child is suffering from malnutrition.
The volunteers often see these faces of hopelessness
and they bring back the hope for the families.
|Figure 46 No shoes or protection for their feet, leaves many with feet problems.|
|Figure 47 A mother brings here child to see the doctor. In the background is a sheep that she brought for the doctor.|
|Figure 48 Seeing this landscape gives an idea of how the area looks without any grass, anything growing, a very desolate place.|
|Figure 49 Volunteer Mary Saunders has made a good friend in Ethiopia.|
What does Don teach others that they do already know? Don teaches persons how to see again. "Why is the sky blue? Why is one flower red and another yellow? How do the stars stay up in the sky? Why is the snow cold?," are questions Don says that children ask and adults forget to ask. Once these questions are not asked the world becomes humdrum. Don teaches those around him how to appreciate the small details and how these small details say so much. Don says, "Photography forces me to continue asking questions which began in my childhood and probing for answers in the maturity of my life. The 'seeing beyond what the average person sees' fills me constantly with excitement and allows me to keep the dreams of my youth. It gives my 'seeing' a newness and freshness as I work hard to communicate through photography the messages I want to convey."
|Figure 50 Volunteer Mike Edens taught these two pastors Mikhail Shehata Ghaly and Anwar Dakdouk MasterLife Discipleship training in Cypress during 1984.|
Often Don is asked to speak to photography conferences. He advises the photojournalists who work on the local papers to learn how to work where they are now. The ability to look good has little to do with where you are located in the world and who you are photographing. The ability to communicate must be there in the local market. For the past twenty years this writer/photographer has looked at Don Rutledge's work. The pictures in Russia look very similar to his pictures in Kentucky. The differences were smaller than the similarities. Don's photographs concentrate on the emotions of people. No matter where you are located in the world, people's emotions stand above languages and cultures. These small moments of expression communicate across our language barriers. Foreign Missions has been one of the best places for Don's work to excel. Here his style of photography was not bound by words or cultures. Body-language is a very powerful form of communication. The difference between a "No Comment" on a show like 60 Minutes and the same words in print is obvious.
|Figure 51 Missionary Kid, Ellen Duval, loves her cats and books and this is what helps her make home in Indonesia.|
While Don was doing a coverage to show where Lottie Moon grew up in the mountains of Virginia, he was reminded of how small the world had always been. He discovered that Lottie Moon spoke several languages and that many of the people in the hills of Virginia today speak many languages. Some of the people Don ran into speak Asian languages like Chinese.
How does Don continue, year after year, to make photographs where the people appear not to notice Don. Don's favorite lens for years has been the 28mm lens. This lens requires Don to get twice as close as he appears to be in the actual photograph. When viewing Don's photographs, realize that he is usually twice as close as he appears. Don's style of photography requires the subject to allow Don to enter his personal space. If someone enters the personal space of most people, they appear uptight and tense. But if their best friend enters that space they seem warmer and personable. This immediacy that Don creates with the camera breaks down the walls of culture and status. People become real when Don photographs them. Don wants us to see the positive side of people. This ability comes from years of hard work on the part of a man commited to his calling to ministry, the ministry of helping others the people and the world with "his father's eyes."
 Dan Beatty, interview by author, Tape recording, Richmond, Virginia, 27 October 1992.
 Howard I. Finberg, The Best of Photojournalism 16: The Year in Pictures, (Philadelphia: Running Press Book Publishers, 1991), 232.
 Interview with Beatty.
 Interview with Chapnick.
 Don Rutledge, "Using Photography: To look beyond the backyard fence" unpublished, 1992.
 Don Rutledge, Interview by author, Richmond, 1985.